Transmissions from an overmind obsessed with music

What’s so great about the truth? Try lying for a change. It’s the currency of the world.

(Source: nickmillerturtleface, via capriamovies)

549 notes

smitethepatriarchy:

OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

smitethepatriarchy:

OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

(Source: odinsblog, via vovat)

118,344 notes

lshima:

Model: L.ShimaPhotographer: Shayna BatyaShoes: Nike
L.Shima’sFacebookTwitterInstagram

lshima:

Model: L.Shima
Photographer: Shayna Batya
Shoes: Nike

L.Shima’s
Facebook
Twitter
Instagram

816 notes

theswinginsixties:

The Velvet Underground — I’m Waiting For the Man - 1967

(Source: willdrewsmusicblog)

382 Plays

634 notes

theswinginsixties:

The Beach Boys in Paris, 1964.

theswinginsixties:

The Beach Boys in Paris, 1964.

207 notes

(Source: 70-s, via youarethesource)

694 notes

theswinginsixties:

The Zombies — She’s Not There - 1964

(Source: onlymeflavs)

9,943 Plays

2,435 notes

I have no illusions about my looks. I think my face is funny.

Funny Face (1957)

(Source: firelordzuko, via frommartyrdomtostartyrdom)

766 notes

theswinginsixties:

The Moody Blues

theswinginsixties:

The Moody Blues

156 notes

lshima:

Model: L.ShimaPhotographer: Grayson Foto
L.Shima’sFacebookTwitterInstagram

lshima:

Model: L.Shima
Photographer: Grayson Foto

L.Shima’s
Facebook
Twitter
Instagram

237 notes